I’m honored to share that Emanuel Flutes has been featured in Flute Almanac, one of the most respected flute magazines in the world, in an article titled Inside the World of the Most Exclusive Flutes Ever Made – Is There a “Stradivarius” of the Flute World?

The feature draws a fascinating comparison between the legacy of Stradivarius violins and the philosophy behind my work. Just as those instruments have set the gold standard for centuries, Flute Almanac suggests that Emanuel Flutes may hold a similar place in the flute world — rare, handcrafted, and made with a level of personal dedication almost unheard of today.

One Maker, One Vision
Unlike most flute makers, I build every Emanuel flute myself — every key, every mechanism, every headjoint, even the tools I use. There’s no production line or team of assistants. This approach means each flute is not just an instrument, but the result of countless hours of focused craftsmanship, from the first piece of metal to the final polish.

Tradition and Innovation
The article also touches on the years I’ve spent refining designs and creating innovations that improve both the sound and the feel of the flute — from the resonance of the headjoint to the precision and silence of the mechanism. These details matter because they help musicians express themselves without limits.

Trusted by the Finest Musicians
It’s been my privilege to work with some of the world’s leading flutists, including:

– Stefán Ragnar Höskuldsson, Principal Flutist of the Chicago Symphony Orchestra, who recently won the Berlin Philharmonic audition on an Emanuel flute.
– Karl-Heinz Schütz, Principal Flutist of the Vienna Philharmonic.

Global Recognition
Earlier this year, Emanuel Flutes was named Best Flute Maker 2024 at the Global Flute Excellence Awards. This international recognition, alongside the Flute Almanac feature, means a great deal to me — not only as a maker, but as someone who believes deeply in the value of true craftsmanship.

For me, each flute is more than an instrument — it’s a voice, a partner, and a piece of living art. I’m grateful to Flute Almanac for telling that story and for helping share the beauty and purpose behind this work.

You can read the full feature in the July 14, 2025 edition of Flute Almanac or online at www.flutealmanac.com.

– Emanuel Arista